The April 2021 Auction: Part 1
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1 / 2Lot 479
Estimate: $450
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Collection name
Reviews
95NM
"The rambunctious 1948 Malvasia has a far more resinous, fiery bouquet compared directly against the 1954. It demands a little more coaxing, but offers absorbing aromas of melted candle wax, smoked walnut, nutmeg and cumin. The palate has a lovely opening, with Schezhuan setting the tongue on fire, and then it glides towards its elegant conclusion of barley sugar, bitter orange, chocolate and lemongrass. The aftertaste is extraordinarily long, the tongue tingling a minute after the Madeira has exited. It is the kind of Madeira that needs to be kept on a leash! I have authored several in-depth articles on Madeira, and those familiar with them will be aware of my views on Vinhos Barbeito. I previously described winemaker Ricardo Freitas as a âgame changerâ and I still espouse that opinion. If Madeira can be accused of being hidebound by tradition with outmoded techniques, then Ricardo is the man with the passion, ideas, the talent and let us not forget, the finance, to shake up a once somnolent industry content to ply its trade to tourists. What he achieves is a level of precision and delineation that is second to none, a lucidity of aromas and flavors that can be intoxicating. One fundamental tenet is Ricardoâs refusal to add caramel that is habitually used in order to deepen color and make the wines sweeter. He firmly believes that this practice has no place in fine Madeira, and I am inclined to agree. Meeting Ricardo, you can tell that he is a man obsessed with his wines, obsessively figuring out how to blend and when to bottle. Just take a look at the minutiae on the back label, where you can read Ricardoâs thought process, almost verbatim, how he singles out a cask or elects to blend one with another or moves one to a warmer environment to enhance oxidation. His limited production âSignature Wines,â are released between 11 to 16 years after the vintage and are all sold in convenient 50cl bottles. They are fresh, varietal-expressive Madeira wines made in a relatively un-manipulated, un-oxidized style (whereas the âHistoric Seriesâ is much more âclassicâ in style). They are generally made to be consumed upon release and present a fabulous introduction to the delights of Madeira at an inexpensive price. I would also say that as Ricardo has learnt his craft, I feel that these bottlings have improved as time has gone on. The âHistoric Seriesâ was first released in 2002. The goal was to produce moderately priced Madeira that tastes like a vintage wine and offers depth, power and concentration, while expressing each noble grape variety. The idea came when Ricardo found a parcel of sixty-year-old Tinta Negra that he blends up to the legal maximum (15%) with 10-to-15-year-old noble varieties such as Verdelho and Bual. They are marketed under titles linking them to cities where Madeira prospered in the 19th century. These wines tend to really come together with six to eight months in bottle, and these reviews apply to Madeiras that will be released later this year. The bottles under the âBarbeito Family Collectionâ come from Ricardo Freitasâs mother and grandfatherâs reserves and usually spend a significant amount of time in demi-john."
Region
Sweet
Country
Score
"The rambunctious 1948 Malvasia has a far more resinous, fiery bouquet compared directly against the 1954. It demands a little more coaxing, but offers absorbing aromas of melted candle wax, smoked walnut, nutmeg and cumin. The palate has a lovely opening, with Schezhuan setting the tongue on fire, and then it glides towards its elegant conclusion of barley sugar, bitter orange, chocolate and lemongrass. The aftertaste is extraordinarily long, the tongue tingling a minute after the Madeira has exited. It is the kind of Madeira that needs to be kept on a leash! I have authored several in-depth articles on Madeira, and those familiar with them will be aware of my views on Vinhos Barbeito. I previously described winemaker Ricardo Freitas as a âgame changerâ and I still espouse that opinion. If Madeira can be accused of being hidebound by tradition with outmoded techniques, then Ricardo is the man with the passion, ideas, the talent and let us not forget, the finance, to shake up a once somnolent industry content to ply its trade to tourists. What he achieves is a level of precision and delineation that is second to none, a lucidity of aromas and flavors that can be intoxicating. One fundamental tenet is Ricardoâs refusal to add caramel that is habitually used in order to deepen color and make the wines sweeter. He firmly believes that this practice has no place in fine Madeira, and I am inclined to agree. Meeting Ricardo, you can tell that he is a man obsessed with his wines, obsessively figuring out how to blend and when to bottle. Just take a look at the minutiae on the back label, where you can read Ricardoâs thought process, almost verbatim, how he singles out a cask or elects to blend one with another or moves one to a warmer environment to enhance oxidation. His limited production âSignature Wines,â are released between 11 to 16 years after the vintage and are all sold in convenient 50cl bottles. They are fresh, varietal-expressive Madeira wines made in a relatively un-manipulated, un-oxidized style (whereas the âHistoric Seriesâ is much more âclassicâ in style). They are generally made to be consumed upon release and present a fabulous introduction to the delights of Madeira at an inexpensive price. I would also say that as Ricardo has learnt his craft, I feel that these bottlings have improved as time has gone on. The âHistoric Seriesâ was first released in 2002. The goal was to produce moderately priced Madeira that tastes like a vintage wine and offers depth, power and concentration, while expressing each noble grape variety. The idea came when Ricardo found a parcel of sixty-year-old Tinta Negra that he blends up to the legal maximum (15%) with 10-to-15-year-old noble varieties such as Verdelho and Bual. They are marketed under titles linking them to cities where Madeira prospered in the 19th century. These wines tend to really come together with six to eight months in bottle, and these reviews apply to Madeiras that will be released later this year. The bottles under the âBarbeito Family Collectionâ come from Ricardo Freitasâs mother and grandfatherâs reserves and usually spend a significant amount of time in demi-john."
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Best known for fortified Port from the Douro Valley, Portugal also produces distinctive dry reds from native grapes such as Touriga Nacional. Its dramatic terraced vineyards and blending traditions give the wines a singular identity.